Robert Bresson (* September in Bromont-Lamothe, Auvergne, Frankreich; † Dezember in Paris) war ein französischer Filmregisseur, der vor. Henri Cartier-Bresson (* August in Chanteloup-en-Brie, Département Seine-et-Marne, Frankreich; † 3. August in Montjustin, Provence) war ein. Henri Cartier-Bresson (–): Fotograf, Regisseur, Schauspieler, Zeichner, Maler und Mitbegründer der Fotoagentur Magnum Photos. Nach einem.
Filme auf DVDInhalt. Er stellte als erster Fotograf im Louvre aus und war Mitbegründer der Agentur „Magnum Photos“: Henri Cartier-Bresson. Bis heute gelten seine. Henri Cartier-Bresson- Meisterwerke: Mit Einem Text Des Photographen [CARTIER-BRESSON H] on pelmarinc.com *FREE* shipping on qualifying offers. Henri Cartier-Bresson gehört zu den größten Fotografen des Jahrhunderts. Wie genial und allumfassend er dachte, erfährt man in dem.
Bresson Menu di navigazione VideoHenri Cartier Bresson – Life and work Robert Bresson war ein französischer Filmregisseur, der vor allem für seine minimalistischen Filme bekannt war und zu den angesehensten und herausragendsten französischen Filmemachern des Jahrhunderts gehört, obwohl er in seiner langen. Robert Bresson (* September in Bromont-Lamothe, Auvergne, Frankreich; † Dezember in Paris) war ein französischer Filmregisseur, der vor. Henri Cartier-Bresson (* August in Chanteloup-en-Brie, Département Seine-et-Marne, Frankreich; † 3. August in Montjustin, Provence) war ein. Henri Cartier-Bresson war ein französischer Fotograf und Filmemacher und ist bekannt als Vorreiter der Straßenfotografie. Images à la sauvette—Bilder im.
Teil Bresson geht direkt eine Kill Bill Streaming tiefer, und analysiert das Bedrohungspotential, dass Bresson unglcklich sind und kaufen. - InhaltsverzeichnisBuch erstellen Als PDF herunterladen Druckversion. Founding member Born in Chanteloup-en-Brie, Seine-et-Marne, Henri Cartier-Bresson developed a strong fascination with painting early on, and particularly with Surrealism. In , after spending a year in the Ivory Coast, he discovered the Leica – his camera of choice after that moment – and began a life-long passion for photography. Robert Bresson (French: [ʁɔbɛʁ bʁɛsɔ̃]; 25 September – 18 December ) was a French film pelmarinc.com for his ascetic approach, Bresson contributed notably to the art of cinema; his non-professional actors, ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of minimalist film. Bresson brings relaxed fine dining to Monkstown and South County Dublin in a casual, comfortable and friendly ambience. The restaurant is named after photographer Henri Cartier Bresson, who shook up the formality of classical photography with spontaneity and casual brilliance. Executive Chef Temple Garner aims to do the same with our menus. The Bresson family name was found in the USA, the UK, Canada, and Scotland between and The most Bresson families were found in the USA in In there were 22 Bresson families living in Michigan. This was about 31% of all the recorded Bresson's in the USA. Henri Cartier-Bresson was a French photographer and filmmaker known as a pioneer of street photography. His dramatic black-and-white works are among the most iconic images of the 20th century. Ratna Lena Zastrow. Wikiquote has quotations related to: Henri Cartier-Bresson. From hunting, he learned methods which he later used in photography. Richard Attenborough Jeremy Irons Unsourced material may be challenged and removed. She is found everywhere: wars, concentration camps, tortures, assassinations. Kingsman 2 Stream Deutsch Streamcloud the Spanish Sky 302 warCartier-Bresson co-directed an anti-fascist film with Herbert Kline Alfred Jodokus, to promote the Republican medical services. Candid photography Street photography Leica Magnum Photos. InBresson was divorced Zdfheute App Installieren his first wife of 30 years, Ratna "Elie". ParisFrance. He covered the last six months of the Kuomintang administration and the first six months of the Maoist People's Republic. Green Integer. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Der belarussische Schriftsteller Viktor Martinowitsch legt mit "Revolution" einen Roman vor, der postsowjetische Strukturen analysiert. Terminator Genisys Movie4k : Künstler Frankreich Filmregisseur Träger des Europäischen Filmpreises Drehbuchautor Franzose Geboren Gestorben Mann.
Film scholar Tony Pipolo writes that "Bresson opposed not just professional actors, but acting itself,"  preferring to think of his actors as 'models'.
HUMAN MODELS: movement from the exterior to the interior. Bresson further elaborates on his disdain for acting in later passages of the book, wherein he appropriates a remark Chateaubriand had made about 19th century poets and applies it to professional actors that is, "what they lack is not naturalness, but Nature.
With his 'model' technique, Bresson's actors were required to repeat multiple takes of each scene until all semblances of 'performance' were stripped away, leaving a stark effect that registers as both subtle and raw.
This, as well as Bresson's restraint in musical scoring, would have a significant influence on minimalist cinema.
In the academic journal CrossCurrents , Shmuel Ben-gad writes: . There is a credibility in Bresson's models: They are like people we meet in life, more or less opaque creatures who speak, move, and gesture [ Thus what Bresson sees as the essence of filmic art, the achievement of the creative transformation involved in all art through the interplay of images of real things, is destroyed by the artifice of acting.
For Bresson, then, acting is, like mood music and expressive camera work, just one more way of deforming reality or inventing that has to be avoided.
Film critic Roger Ebert wrote that Bresson's directorial style resulted in films "of great passion: Because the actors didn't act out the emotions, the audience could internalize them.
Some feel that Bresson's Catholic upbringing and belief system lie behind the thematic structures of most of his films. An example is A Man Escaped , where a seemingly simple plot of a prisoner of war 's escape can be read as a metaphor for the mysterious process of salvation.
Bresson's films can also be understood as critiques of French society and the wider world, with each revealing the director's sympathetic, if unsentimental, view of its victims.
That the main characters of Bresson's most contemporary films, The Devil, Probably and L'Argent , reach similarly unsettling conclusions about life indicates to some the director's feelings towards the culpability of modern society in the dissolution of individuals.
Indeed, of an earlier protagonist he said, "Mouchette offers evidence of misery and cruelty. She is found everywhere: wars, concentration camps, tortures, assassinations.
For him, cinematography is the higher function of cinema. While a movie is in essence "only" filmed theatre, cinematography is an attempt to create a new language of moving images and sounds.
Bresson is often referred to as a patron saint of cinema, not only for the strong Catholic themes found throughout his oeuvre, but also for his notable contributions to the art of film.
His style can be detected through his use of sound, associating selected sounds with images or characters; paring dramatic form to its essentials by the spare use of music; and through his infamous 'actor-model' methods of directing his almost exclusively non-professional actors.
Mark Cousins writes: . However, his uncompromising stance has been extremely influential in some quarters. Bresson's book Notes on the Cinematographer is one of the most respected books on film theory and criticism.
His theories about film greatly influenced other filmmakers, particularly the French New Wave directors. New Wave pioneers praised Bresson and posited him as a prototype for or precursor to the movement.
However, Bresson was neither as overtly experimental nor as outwardly political as the New Wave filmmakers, and his religious views Catholicism and Jansenism were not attractive to most of the filmmakers associated with the movement.
All the better French cinema has and will have to connect to Bresson in some way. Bresson has also influenced a number of other filmmakers, including Andrei Tarkovsky , Chantal Akerman , Jim Jarmusch , Michael Haneke , Olivier Assayas the Dardenne brothers , Aki Kaurismäki , and Paul Schrader , whose book Transcendental Style in Film: Ozu , Bresson, Dreyer includes a detailed critical analysis.
Andrei Tarkovsky  held Bresson in very high regard, noting he and Ingmar Bergman as his two favourite filmmakers, stating "I am only interested in the views of two people: one is called Bresson and one called Bergman".
From Wikipedia, the free encyclopedia. French film director. Bromont-Lamothe , France. Paris , France. This section needs additional citations for verification.
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Retrieved 19 February This site uses Bresson's birth certificate as its source of information. Archived from the original on 3 August Retrieved 9 August Lo stile asciutto del regista evita di soffermarsi sui costumi e sulle scenografie della ricostruzione storica, filmando i personaggi come se si muovessero su uno scenario dei nostri giorni.
Nel cinema tradizionale era l'attore, attraverso la sua recitazione e le espressioni facciali, a trasmettere allo spettatore le sue emozioni.
Bresson era solito ingaggiare persone comuni e girare scena dopo scena fino a quando la recitazione spariva del tutto. Agli attori chiedeva di dire le battute e compiere le azioni richieste.
Altri progetti. Da Wikipedia, l'enciclopedia libera. Segui i suggerimenti del progetto di riferimento. For his 4,word philosophical preface, Cartier-Bresson took his keynote text from the 17th century Cardinal de Retz , "Il n'y a rien dans ce monde qui n'ait un moment decisif" "There is nothing in this world that does not have a decisive moment".
Cartier-Bresson applied this to his photographic style. Margot Shore, Magnum's Paris bureau chief, translated Cartier-Bresson's French preface into English.
Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera.
That is the moment the photographer is creative," he said. The Moment! Once you miss it, it is gone forever. He held his first exhibition in France at the Pavillon de Marsan in the Louvre Museum in Cartier-Bresson's photography took him to many places, including China, Mexico, Canada, the United States, India, Japan, Portugal and the Soviet Union.
He became the first Western photographer to photograph "freely" in the post-war Soviet Union. In , on behalf of Vogue , he went to Sardinia for about twenty days.
There he visited Nuoro, Oliena, Orgosolo Mamoiada Desulo, Orosei, Cala Gonone, Orani hosted by his friend Costantino Nivola , San Leonardo di Siete Fuentes, and Cagliari.
Cartier-Bresson withdrew as a principal of Magnum which still distributes his photographs in to concentrate on portraiture and landscapes.
In , he was divorced from his first wife of 30 years, Ratna "Elie". In , he began to turn away from photography and return to his passion for drawing and painting.
He admitted that perhaps he had said all he could through photography. He married Magnum photographer Martine Franck , thirty years younger than himself, in Cartier-Bresson retired from photography in the early s, and by no longer took pictures other than an occasional private portrait; he said he kept his camera in a safe at his house and rarely took it out.
He returned to drawing, mainly using pencil, pen and ink,  and to painting. He held his first exhibition of drawings at the Carlton Gallery in New York in No cause of death was announced.
Cartier-Bresson spent more than three decades on assignment for Life and other journals. He traveled without bounds, documenting some of the great upheavals of the 20th century — the Spanish Civil War , the liberation of Paris in , the fall of the Kuomintang in China to the communists, the assassination of Mahatma Gandhi, the May events in Paris, the Berlin Wall.
And along the way he paused to document portraits of Camus , Picasso , Colette , Matisse , Pound and Giacometti. But many of his most renowned photographs, such as Behind the Gare Saint-Lazare , are of seemingly unimportant moments of ordinary daily life.
Cartier-Bresson did not like to be photographed and treasured his privacy. Photographs of Cartier-Bresson are scant. When he accepted an honorary degree from Oxford University in , he held a paper in front of his face to avoid being photographed.
Cartier-Bresson believed that what went on beneath the surface was nobody's business but his own. He did recall that he once confided his innermost secrets to a Paris taxi driver, certain that he would never meet the man again.
In , he created the Henri Cartier-Bresson Foundation in Paris with his wife, the Belgian photographer Martine Franck and his daughter to preserve and share his legacy.
In particular, he is credited as the inspiration for the National Film Board of Canada 's early work in this genre with its Candid Eye series.
With fast black and white film and sharp lenses, he was able to photograph events unnoticed. He never photographed with flash, a practice he saw as "impolite He believed in composing his photographs in the viewfinder, not in the darkroom.
He showcased this belief by having nearly all his photographs printed only at full-frame and completely free of any cropping or other darkroom manipulation.
Cartier-Bresson worked exclusively in black and white, other than a few unsuccessful attempts in color. Constant new discoveries in chemistry and optics are widening considerably our field of action.
It is up to us to apply them to our technique, to improve ourselves, but there is a whole group of fetishes which have developed on the subject of technique.
Technique is important only insofar as you must master it in order to communicate what you see The camera for us is a tool, not a pretty mechanical toy.
In the precise functioning of the mechanical object perhaps there is an unconscious compensation for the anxieties and uncertainties of daily endeavor.
In any case, people think far too much about techniques and not enough about seeing. He started a tradition of testing new camera lenses by taking photographs of ducks in urban parks.
He never published the images but referred to them as 'my only superstition' as he considered it a 'baptism' of the lens.
Cartier-Bresson is regarded as one of the art world's most unassuming personalities. Although he took many famous portraits, his face was little known to the world at large.
This, presumably, helped allow him to work on the street undisturbed. He denied that the term "art" applied to his photographs.
Instead, he thought that they were merely his gut reactions to fleeting situations that he had happened upon.
In photography, the smallest thing can be a great subject. The little human detail can become a leitmotiv. From Wikipedia, the free encyclopedia.
French photographer. Chanteloup-en-Brie , France. Ratna Mohini. Martine Franck. This section needs additional citations for verification.
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Retrieved 5 November Retrieved 10 November Henri Cartier-Bresson. Translated by Wilson, David H. New York Times. Archived from the original on 10 May Retrieved 8 August Encyclopedia Britannica.
Retrieved 21 November Apples of Gold in Settings of Silver: Stories of Dinner as a Work of Art. Retrieved 15 June Black Sun: The Brief Transit and Violent Eclipse of Harry Crosby.
New York Review of Books. Literary Kicks. Retrieved 18 March London: The Daily Telegraph. Retrieved 3 November Lens Blog. Canadian Museum of Contemporary Photography.
Ottawa, The Decisive Moment. New York: Simon and Schuster. The Washington Post.Home Visual Arts Photography Henri Cartier-Bresson French photographer. Archived from the original on 10 May Henri Bresson STAMPED POSTER. Namespaces Article Talk. In Frisuren anonymity that Sturm Der Liebe Medithek small camera gave him in a crowd or during an intimate moment was essential in overcoming the formal and unnatural behavior of those who were aware of being photographed.